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DTSTART;TZID=Australia/Sydney:20230916T000000
DTEND;TZID=Australia/Sydney:20301231T235959
DTSTAMP:20260714T004539
CREATED:20230329T025842Z
LAST-MODIFIED:20251031T054336Z
UID:10000001-1694822400-1924991999@www.yarrilaartsandmuseum.com.au
SUMMARY:Yaamanga (around here)
DESCRIPTION:Young Archie Coffs Harbour		\n		\n			7 August – 13 September 2026Exhibition		\n					\n							\n			\n\n\n\n\nYaamanga (around here) installation view\n\n\n\n\n		\n					\n				\n					Exhibition				\n				\n					Young Archie Coffs Harbour				\n				When\n				\n					7 August – 13 September 2026									\n			\n						Archibald Prize 2025Plan your visit	\n		\n		\n\nYaamanga (around here) is an ongoing exhibition exploring the history and identity of the Coffs Coast through themes of place\, community and belonging\, with Gumbaynggirr culture at its heart. This interactive exhibition features hundreds of objects\, photographs\, artworks and films from the Yarrila Arts and Museum collection. A key highlight of Yaamanga (around here) is the short film\, Daalga Nginundi Wajaarr (Sing Your Country)\, which is informed by Yuludarla’s (Gumbaynggirr Creator) journey from north to south exploring miirlarl (sacred places)\, culture and history through song and cinema. The piece is a celebration of language and its revival and is an invitation for all people to learn the story of this place. It explores untold histories of Country; its triumphs and its sorrow and the dialogue Gumbaynggirr people have every day with her.Daalga Nginundi Wajaarr (Sing Your Country) was created by Alison Page and Nik Lachajczak of ZAKPAGE. The score is a reworking of a medley of traditional songs by Gumbaynggirr artist\, Birrugan Dunn-Velasco\, with the inclusion of post-modern instrumentation and sounds from Country.This artwork is dedicated to the Gumbaynggirr people; it is their ancestral lands upon which we live and work; they who are so generous with their cultural knowledge and lore in the making of this film. \n\n\n\nA still image captured from Daalga Nginundi Wajaarr Sing Your Country\n\n\n\n\n\nFind out more about Daalga Nginundi Wajarr Sing your Country
URL:https://www.yarrilaartsandmuseum.com.au/events/yaamanga-around-here
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.yarrilaartsandmuseum.com.au/content/uploads/2023/03/dsc07522-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20240208T000000
DTEND;TZID=Australia/Sydney:20240324T235959
DTSTAMP:20260714T004539
CREATED:20230411T032609Z
LAST-MODIFIED:20240103T013010Z
UID:10000014-1707350400-1711324799@www.yarrilaartsandmuseum.com.au
SUMMARY:Ok! Motherhood
DESCRIPTION:Young Archie Coffs Harbour		\n		\n			7 August – 13 September 2026Exhibition		\n			\n\n\n\n\nRichilde Flavell\, en caul universe\, 2023\, ceramic\, wax\, oil pigment\, 610mm x 430mm. Photo by And the Trees Photography.\n\n\n\n\n		\n					\n				\n					Exhibition				\n				\n					Young Archie Coffs Harbour				\n				When\n				\n					7 August – 13 September 2026									\n			\n						Archibald Prize 2025Plan your visit	\n		\n		\n\nExplore the connection between the mundane and the extraordinary by delving into the themes of parenthood and the transformative power of change through artist Richilde Flavell’s captivating ceramic works. \n\n\n\nFrom large vessels to a raw clay installation\, these artworks evoke reverence and warmth through their generous forms\, representing the flow of change\, a movement from one state to another\, showcasing the beauty and transformative power of clay.
URL:https://www.yarrilaartsandmuseum.com.au/events/ok-motherhood
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.yarrilaartsandmuseum.com.au/content/uploads/2024/01/richilde-flavell_en-caul-universe_rgb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20240208T000000
DTEND;TZID=Australia/Sydney:20240324T235959
DTSTAMP:20260714T004539
CREATED:20230621T003056Z
LAST-MODIFIED:20240205T011100Z
UID:10000030-1707350400-1711324799@www.yarrilaartsandmuseum.com.au
SUMMARY:Fluttering on the Surface
DESCRIPTION:Fluttering on the Surface		\n		\n			7 August – 13 September 2026Exhibition		\n					\n							\n			\n\n\n\n\nSarah Mufford\, Detail of Nasir ol Molk\, 2021\, India Ink\, Pigmented Ink\, watercolour\, graphite\, and polymer gesso on cotton rag.\n\n\n\n\n		\n					\n				\n					Exhibition				\n				\n					Young Archie Coffs Harbour				\n				When\n				\n					7 August – 13 September 2026									\n			\n						Archibald Prize 2025Plan your visit	\n		\n		\n\nMufford’s work invites the viewer to engage with a dynamic interplay of shapes and colours that constantly shift and transform without one element dominating. This sense of movement is enhanced by the artist’s use of negative space\, allowing the eye to rest and refocus\, creating a sense of rhythm and flow. \n\n\n\n\n\n\n\n\n\nFluttering on the SurfaceSarah Mufford \n\n\n\nA response to Sarah Mufford’s exhibition by Associate Professor in Art History and Visual Culture at Charles Sturt University\, Sam Bowker \n\n\n\nSarah Mufford’s creative practice seeks to understand holistic processes of visual culture. Her work reveals subtle sensory structures that inform our perception of harmony and balance. Using a ruler\, compass and vivid colours\, she encourages us to see how geometry\, colour\, field and rhythmic forms interact as rich spaces for sensory imagination. \n\n\n\nAcross this delicate\, colourful and ambitious exhibition\, our vision is intricately interrupted by solid semicircles. Each is isolated from even more complex potential patterns. The visible under-drawing is intentional\, for Mufford’s labor-intensive process emphasizes the importance of geometry as a profound foundation\, both visually and conceptually. Her reverence for the historic pursuit of geometric forms in art history is drawn from her extensive fieldwork across India\, southern Spain\, Italy and Iran. Her experiments are related to the Pattern and Decoration (P&D) movement in American postmodernism\, which drew on a similar array of sources across broadly Islamic\, Persianate\, and South Asian art – which were\, and still are\, collectively under-represented in Australian contemporary art – yet her finished work is distinctly of her own time and place. \n\n\n\nThrough this ongoing creative practice research\, Mufford has studied diverse interpretations of geometric design and the history of sensory perception. Rather than simply copying specific examples or illustrating regional practices\, she has compared their objectives and variations through their own contexts\, and arrived at a coherence that is entirely her own.  \n\n\n\nFor generations of artists and artisans\, mathematics has served as an extension of philosophy\, religion and visual culture. Mufford is part of this continuity\, drawing from the rich depth and breadth of art history to offer a new way of seeing. Her work is not descriptive\, but imaginative\, acknowledging sources as a testament to a more connected\, coherent model of international creative practice. Sarah Mufford’s paintings are inventions rather than replications\, posed on the continuous question ‘what if?’\, and moving toward new possibilities. \n\n\n\nIn reflecting on Mufford’s exhibition\, I offer interpretation about four paintings featured in Fluttering on the Surface. \n\n\n\nIn Jali (2023) the precisely cut structure of carved screens are evoked\, drawing from a solution to allow the permeation of moving air through architecture. The jali is a Persianate design\, notably preserved in the intricate dark pink and warm red masonry of Akbar’s abandoned capital city Fatehpur Sikri in Agra\, India. But comparable structures have been developed elsewhere – such as meshrabiyeh timber latticework screens\, shamsiyya gypsum screens\, or even Frank Lloyd Wright’s (somewhat brutalist) usonian open-cinderblock walls. Mufford’s approach moves beyond any of those specific contexts. Perceptively\, she asks what do we see and feel when experiencing these decorative screens? What was intended by their makers in-situ\, rather than those who subsequently disconnected and moved them into the rarified rooms of museums? \n\n\n\nThrough semicircles\, we see blue sky\, we see green foliage\, we feel faint air in subtle motion. \n\n\n\nOttoman tents were appliqued and embroidered with lustrous threads and luxurious textiles to evoke the sensory ideal of a garden – a landscape transformed on humanity’s terms. As mobile architecture\, the illusion of place moved with the tent\, even when a new view could be borrowed by the act of re-location. Mufford’s work reminds me of that sensory representation. Her memories are evoked and allude through the ambiguity of abstraction\, which is richer than tromp l’oeil realism. \n\n\n\nThe intensity of Leheriya (2023) acknowledges a similar quality\, but this time it is situated via the resplendent textiles of south Asia. The term leheriya is a Rajasthani form of woven fabric\, worn as a saree or turban\, defined by a persistent wave-like or zig-zag pattern. Across Mufford’s characteristic blue and green semicircles you may discern groups of squares\, but moving your eyes between each ‘square’ creates the trickling flow of water\, tentatively seeking passage over an open field. Water is heavier than air\, and thus far more intense colours have been chosen. \n\n\n\nKashan (2023) situates a geographic point of origin – a city in the province of Isfahan\, Iran. However\, that place has been informed by centuries of inherited culture and subsequent transformations. It is an analogy for a past and a future as a form of symmetry and asymmetry. When viewing this work\, you may note the abstract forms in dark tones are nearly symmetrical against a pale green field. But look more closely at the secretive pattern across the semicircles – are they palindromes? \n\n\n\nOn a geometric perspective\, the immediate present could be seen as a perpetual palindrome\, extending infinitely in all directions. This is a critical point underpinning the philosophy of geometric design\, allowing extrapolation into the infinite without glitches or disjointed continuity. \n\n\n\nNeshan (2023) is a Farsi (Persian) word meaning a mark or target\, or a seal (like a symbol or medallion). Within these billowing\, cloud-like forms\, notice the negative spaces between the semicircles\, and how these form a pattern unseen in the rest of this exhibition\, built through gaps like voids on a manuscript. The curlicues of coiling forms seem to trace the rhythmic movements of a murmuration of birds in flight\, or the rise and fall of asemic script – that is\, graphic forms that resemble words but do not contain their meanings. This type of abstraction was a foundation principle of the Hurrufiyya movement in Arab modernism\, yet in Mufford’s work this is not intended as a commentary on calligraphy. Rather\, her work is a study of time in motion through abstraction on a geometric frame\, in which parallels are invited to be drawn by other observers. \n\n\n\nMufford’s paintings are the result of extended and careful listening\, thoughtful observation\, critical comparison\, and creative practice research towards even more ambitious questions. This is a manifesto for insightful practice\, acknowledging diverse sources with respect and attention to their underpinning processes\, raising challenges to global art history through contemporary Australian art. \n\n\n\n\nDownload PDF of Fluttering on the Surface essay\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDownload PDF of Fluttering on the Surface essay
URL:https://www.yarrilaartsandmuseum.com.au/events/fluttering-on-the-surface
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.yarrilaartsandmuseum.com.au/content/uploads/2023/06/nasir-ol-molk_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20240223T000000
DTEND;TZID=Australia/Sydney:20240526T235959
DTSTAMP:20260714T004539
CREATED:20230411T043059Z
LAST-MODIFIED:20240520T014234Z
UID:10000020-1708646400-1716767999@www.yarrilaartsandmuseum.com.au
SUMMARY:Sea Monsters
DESCRIPTION:Sea Monsters		\n		\n			7 August – 13 September 2026Exhibition		\n					\n				While dinosaurs dominated the land\, giant reptiles and sharks prowled the seas\, and they’re making a comeback at Yarrila Arts and Museum!			\n			\n\n\n\n\n\n\n\n\n\n		\n					\n				\n					Exhibition				\n				\n					Young Archie Coffs Harbour				\n				When\n				\n					7 August – 13 September 2026									\n			\n						Archibald Prize 2025Plan your visit	\n		\n		\n\nSea Monsters offers an exciting experience that combines real fossils from millions of years ago and giant replicas\, including a 13-meter long Elasmosaurus and a 9-meter Prognathdon. \n\n\n\nDive into the secret lives of these fascinating creatures with interactive displays and immersive experiences. \n\n\n\nNot for the faint-hearted\, Sea Monsters will ignite the imagination of all ages. \n\n\n\nIt’s seriously scary and seriously fun. \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\nBuy Tickets\n\n\n\nFinal Weekend Special Ticket Price (From Friday 10am until Sunday 2pm) $5 per person\, Infants under 4 free.  \n\n\n\nAdult$15.00Child (4 – 16 years) $7.50Student/Concession $10.00Family (2 adults + 2 children) $40.00Infants under 4 years FREE\n\n\n\n\n\n\n\n\nBuy Tickets\n\n\n\n\n\n\n\n\n\n\n	\n			\n\n\n\n\n\nProduced by the Australian National Maritime Museum in partnership with the Queensland Museum Network and Queensland Government. \n\n\n\n\n\n\n\nRelated Programs and Events\n\n\n\n\n		\n	\n\n\n\n\n	\n			\n	\n		\n			\n				Night at the Museum: Sea Monsters\n			\n		\n		\n							24 May 2024 at 4:00 pm – 8:00 pm\n						Event\, Program\, Workshop					\n		Get ready for a Night at the Museum and see seriously scary Sea Monsters after dark at Yarrila Arts and Museum!
URL:https://www.yarrilaartsandmuseum.com.au/events/seamonsters
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.yarrilaartsandmuseum.com.au/content/uploads/2023/04/Sea-Monsters-Key-Image-thumbnail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20240302T110000
DTEND;TZID=Australia/Sydney:20240302T120000
DTSTAMP:20260714T004539
CREATED:20240223T034538Z
LAST-MODIFIED:20240223T034540Z
UID:10000124-1709377200-1709380800@www.yarrilaartsandmuseum.com.au
SUMMARY:Artist Talk with Sarah Mufford - Fluttering On The Surface
DESCRIPTION:Young Archie Coffs Harbour		\n		\n			7 August – 13 September 2026Exhibition		\n					\n							\n			\n\n\n\n\n\n\n\n\n\n		\n					\n				\n					Exhibition				\n				\n					Young Archie Coffs Harbour				\n				When\n				\n					7 August – 13 September 2026									\n			\n						Archibald Prize 2025Plan your visit	\n		\n		\n\nJoin artist Sarah Mufford for a discussion offering unique insights into her artworks featured in her current solo exhibition at Yarrila Arts and Museum (YAM)\, Fluttering On The Surface and be inspired by her arts practice and current work.Fluttering on the Surface is a solo exhibition of Sarah Mufford’s complex pattern works\, informed by Eastern and Western sources.Embrace this opportunity to gain a deeper understanding of the artistic visions and inspirations of this talented local artist. \n\n\n\nThis is a FREE event\, but bookings are required. \n\n\n\n\nBook a ticket for the Artist Talk with Sarah Mufford\n\n\n\n\n\n\n\n\nRelated Exhibitions and Events\n\n\n\n\n		\n	\n\n\n\n\n	\n			\n	\n		\n			\n				Fluttering on the Surface			\n		\n		\n							8 Feb – 24 Mar 2024\n						Exhibition					\n		Lose yourself in intricate geometric abstractions. Fluttering on the Surface is a solo exhibition of Sarah Mufford’s complex pattern works\, informed by Eastern and Western sources.  \n\n	\n\n		\n\n	\n			\n	\n		\n			\n				Ok! Motherhood			\n		\n		\n							8 Feb – 24 Mar 2024\n						Exhibition					\n		Explore the connection between the mundane and the extraordinary by delving into the themes of parenthood and the transformative power of change through artist Richilde Flavell’s captivating ceramic works.
URL:https://www.yarrilaartsandmuseum.com.au/events/artist-talk-with-sarah-mufford-fluttering-on-the-surface
CATEGORIES:Event,Program
ATTACH;FMTTYPE=image/jpeg:https://www.yarrilaartsandmuseum.com.au/content/uploads/2024/02/sarah-profile-pic-2_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20240306T140000
DTEND;TZID=Australia/Sydney:20240306T170000
DTSTAMP:20260714T004539
CREATED:20240228T234623Z
LAST-MODIFIED:20240228T234626Z
UID:10000098-1709733600-1709744400@www.yarrilaartsandmuseum.com.au
SUMMARY:Digital Studio Drop In and Create
DESCRIPTION:Young Archie Coffs Harbour		\n		\n			7 August – 13 September 2026Exhibition		\n					\n							\n			\n\n\n\n\n\n\n\n\n\n		\n					\n				\n					Exhibition				\n				\n					Young Archie Coffs Harbour				\n				When\n				\n					7 August – 13 September 2026									\n			\n						Archibald Prize 2025Plan your visit	\n		\n		\n\nLearn how to record audio\, make music\, edit photos & videos\, design a poster\, stop-motion animation\, create digital art with an iPad\, and much more.  \n\n\n\nDigital Studio equipment is available to use including guitars\, bass guitars\, midi-keyboards and percussion instruments. \n\n\n\nThe Digital Studio is free to access during Drop-In sessions. Let us know if you are wanting to use the recording booth during a specific session. \n\n\n\nBring your own project or learn new skills in this weekly\, creative\, drop-in session at the Digital Studio.
URL:https://www.yarrilaartsandmuseum.com.au/events/after-school-drop-in-and-create-2
CATEGORIES:Program,Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.yarrilaartsandmuseum.com.au/content/uploads/2023/09/drop-in-and-create.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20240323T110000
DTEND;TZID=Australia/Sydney:20240323T123000
DTSTAMP:20260714T004539
CREATED:20240311T235430Z
LAST-MODIFIED:20240321T021143Z
UID:10000131-1711191600-1711197000@www.yarrilaartsandmuseum.com.au
SUMMARY:Unknown Elements
DESCRIPTION:Young Archie Coffs Harbour		\n		\n			7 August – 13 September 2026Exhibition		\n					\n							\n			\n\n\n\n\n\n\n\n\n\n		\n					\n				\n					Exhibition				\n				\n					Young Archie Coffs Harbour				\n				When\n				\n					7 August – 13 September 2026									\n			\n						Archibald Prize 2025Plan your visit	\n		\n		\n\n\n\nVisit Yarrila Arts and Museum (YAM) to hear from National Marine Science Centre’s scientist Stephan Soule\, who will take audiences on a journey to uncover the past\, present and future of our ocean biodiversity in the face of climate change. \n\n\n\nThe deep sea is the largest ecosystem on Earth and one of the least studied. However\, scientists are discovering that ocean acidification and climate change are bringing new threats to marine life which are predicted to rival the biggest mass extinctions in history.   \n\n\n\nUnderstand these accelerated processes in an easy to understand and practical way through laboratory demonstrations in The Workshop. \n\n\n\n\n\nStephan Soule- Manager\, Outreach and Education. Southern Cross University and National Marine Science Centre. \n\n\n\n\n\n\n\n	\n			\n\n\n\n\n\n\n\n	\n			\n\n\n\n\n\nProduced by the Australian National Maritime Museum in partnership with the Queensland Museum Network and Queensland Government.
URL:https://www.yarrilaartsandmuseum.com.au/events/unknown-elements
CATEGORIES:Event,Program
ATTACH;FMTTYPE=image/jpeg:https://www.yarrilaartsandmuseum.com.au/content/uploads/2024/03/ocean-climate-change-photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20240326T120000
DTEND;TZID=Australia/Sydney:20240326T130000
DTSTAMP:20260714T004539
CREATED:20240229T000606Z
LAST-MODIFIED:20240229T013650Z
UID:10000126-1711454400-1711458000@www.yarrilaartsandmuseum.com.au
SUMMARY:Digital Photo Editing - Lunchtime Learning
DESCRIPTION:Young Archie Coffs Harbour		\n		\n			7 August – 13 September 2026Exhibition		\n					\n							\n			\n\n\n\n\n\n\n\n\n\n		\n					\n				\n					Exhibition				\n				\n					Young Archie Coffs Harbour				\n				When\n				\n					7 August – 13 September 2026									\n			\n						Archibald Prize 2025Plan your visit	\n		\n		\n\nWant to learn how to make your photos pop? Come and join one of two short workshops in digital photo editing using Adobe Photoshop and Lightroom. \n\n\n\nThere are lunchtime workshops available on consecutive Tuesdays\, 26 March 2024 and 2 April 2024. So whether you want to take your Instagram to the next level\, or get some quick tips for professional development\, sign up.
URL:https://www.yarrilaartsandmuseum.com.au/events/digital-photo-editing-lunchtime-learning-2/2024-03-26
CATEGORIES:Program,Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.yarrilaartsandmuseum.com.au/content/uploads/2024/02/lunchtime_learning.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20240330T000000
DTEND;TZID=Australia/Sydney:20240519T235959
DTSTAMP:20260714T004539
CREATED:20230411T035452Z
LAST-MODIFIED:20240327T054522Z
UID:10000015-1711756800-1716163199@www.yarrilaartsandmuseum.com.au
SUMMARY:Inner & Outer Worlds
DESCRIPTION:Young Archie Coffs Harbour		\n		\n			7 August – 13 September 2026Exhibition		\n					\n							\n			\n\n\n\n\n\n\nJo Elliott\, Beacon\, 2024\, Mixed Media\n\n\n\n\n\nJeremy Sheehan\, This Floating World\, 2024\, Mixed Media\n\n\n\n\n\n\n		\n					\n				\n					Exhibition				\n				\n					Young Archie Coffs Harbour				\n				When\n				\n					7 August – 13 September 2026									\n			\n						Archibald Prize 2025Plan your visit	\n		\n		\n\nUnique insights and experiences resonate in each of their works. The artists use unexpected materials and objects\, transforming them into something extraordinary\, taking audiences on a journey traversing time\, landscapes and other worldly realms with an immersive experience of light and form.
URL:https://www.yarrilaartsandmuseum.com.au/events/inner-outer-worlds
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.yarrilaartsandmuseum.com.au/content/uploads/2023/04/Jo-Elliott-Beacon-2024.jpg
END:VEVENT
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