Janet Besançon Monokini

Her work combines gouache, acrylic, oil, pure French pigments, and raw Gumbaynggirr country pigments with natural materials such as clay and charcoal, grounding her art in both European and Australian traditions.

Monokini is a striking series of 28 abstract paintings created using French pigments, Australian white clay, and everyday domestic utensils – sponges, mops, and kitchen tools. These objects, often linked to unpaid household labour, become instruments of protest and expression. The repetitive, physical process mirrors the gestures of cleaning and caregiving, while the final layers of white clay evoke healing, silencing, and erasure.

The number 28 is symbolic, referencing the menstrual cycle and the rhythms of the female body. Through this, Besançon honours women’s resilience and generational strength, challenging the invisibility of domestic work. In Coffs Harbour – a city shaped by diverse migrant communities – the exhibition invites cross-cultural dialogue on gender roles and shared experiences.

Ultimately, Monokini asks us to reconsider the tools we overlook, the cycles we silence, and the labour we too often take for granted.